2018 marks the twentieth anniversary of V-Day, the radical grassroots movement to end violence against women and girls, inspired by Eve Ensler's international sensation The Vagina Monologues. This special edition features six never-before-published monologues, a new foreword by National Book Award winner Jacqueline Woodson, a new introduction by the author, and a new afterword by One Billion Rising director Monique Wilson on the stage phenomenon's global impact. A landmark work in women's empowerment, as relevant as ever after a year marked by unprecedented social and political protest in the face of unapologetic racism and misogyny, The Vagina Monologues honours women's sexuality in all its complexity, mystery and power. Witty and irreverent, compassionate and wise, this award-winning masterpiece gives voice to real women's deepest fantasies, fears, anger and pleasure, and calls for a world where all women are safe, equal, free and alive in their bodies. 'This play changed the world. Seeing it changed my soul. Performing in it changed my life' Kerry Washington

Botox, bulimia, breast implants: Eve Ensler, author of the international sensation "The Vagina Monologues," is back, this time to rock our view of what it means to have a "good body." "In the 1950s," Eve writes, girls were "pretty, perky. They had a blond Clairol wave in their hair. They wore girdles and waist-pinchers. . . . In recent years good girls join the army. They climb the corporate ladder. They go to the gym. . . . They wear painful pointy shoes. They don't eat too much. They . . . don't eat at all. They stay perfect. They stay thin. I could never be good."
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The Good Body "starts with Eve's tortured relationship with her own "post-forties" stomach and her skirmishes with everything from Ab Rollers to fad diets and fascistic trainers in an attempt get the "flabby badness" out. As Eve hungrily seeks self-acceptance, she is joined by the voices of women from L.A. to Kabul, whose obsessions are also laid bare: A young Latina candidly critiques her humiliating "spread," a stubborn layer of fat that she calls "a second pair of thighs." The wife of a plastic surgeon recounts being systematically reconstructed-inch by inch-by her "perfectionist" husband. An aging magazine executive, still haunted by her mother's long-ago criticism, describes her desperate pursuit of youth as she relentlessly does sit-ups.
Along the way, Eve also introduces us to women who have found a hard-won peace with their bodies: an African mother who celebrates each individual body as signs of nature's diversity; an Indian woman who transcends "treadmill mania" and delights in her plump cheeks and curves; and a veiled Afghani woman who is willing to risk imprisonment for a taste of ice cream. These are just a few of the inspiring stories woven through Eve's global journey from obsession to enlightenment. Ultimately, these monologues become a personal wake-up call from Eve to love the "good bodies" we inhabit.

"From the Hardcover edition."

In this daring book, internationally acclaimed author and playwright Eve Ensler offers fictional monologues and stories inspired by girls around the globe. Fierce, tender, and smart, "I Am an Emotional Creature" is a celebration of the authentic voice inside every girl and an inspiring call to action for girls everywhere to speak up, follow their dreams, and become the women they were always meant to be.
This paperback edition features new material about starting a discussion group based on the book.

I have been exiled from my body. I was ejected at a very young age and I got lost. Playwright, author and activist Eve Ensler has devoted her life to the female body - how to talk about it, how to protect and value it. Yet she spent many years disassociated from her own - a disconnection brought on by her father's sexual abuse and her mother's remoteness. While working in the Congo, Ensler is shattered to encounter the horrific rape and violence inflicted on the women there. Soon after, she is diagnosed with uterine cancer, and through months of treatment she is forced to become first and foremost a body - pricked, punctured, cut, scanned. It is then that all distance is erased. As she connects her own illness to the devastation of the earth, her life force to the resilience of humanity, she is finally, fully - and gratefully - joined to the body of the world.

Playwright, author, and activist Eve Ensler has devoted her life to the female body--how to talk about it, how to protect and value it. Yet she spent much of her life disassociated from her own body--a disconnection brought on by her father's sexual abuse and her mother's remoteness. "Because I did not, could not inhabit my body or the Earth," she writes, "I could not feel or know their pain."
But Ensler is shocked out of her distance. While working in the Congo, she is shattered to encounter the horrific rape and violence inflicted on the women there. Soon after, she is diagnosed with uterine cancer, and through months of harrowing treatment, she is forced to become first and foremost a body--pricked, punctured, cut, scanned. It is then that all distance is erased. As she connects her own illness to the devastation of the earth, her life force to the resilience of humanity, she is finally, fully--and gratefully--joined to the body of the world.
Unflinching, generous, and inspiring, Ensler's "In the Body of the World" calls on us all to embody our connection to and responsibility for the world.

While performance poetry was male-dominated in its inception, in recent years, women spoken word artists have become some of the most popular voices nationwide. The combination of the eminent slam movement and the upsurge of bold, underground feminisms created a unique pool of women verbally challenging society on all fronts. Word Warriors is the first all-women spoken word anthology, featuring the most influential female spoken word artists in the movement. Each contributor is a published writer, accomplished performer, and has received numerous accolades for her contributions to this art form. Contributors include Patricia Smith and Eileen Myles, two of the most formidable and famous spoken word foremothers. Tony Award--winner Sarah Jones talks about breaking into the mainstream, while Michelle Tea contributes her thoughts on class and sexual politics. We also hear the unique feminist perspective of Palestinian-born and raised Suheir Hammad and Trinidadian poet Lynne Procope, while Haitian artist Lenelle Moise shares the frustrations of performing for a Western audience. Each contributor provides a new and well-known spoken word piece, accompanied by an original essay about a pivotal moment or significant experience within her individual spoken word career, offering an illuminating peek into the artist's thought process, a rare chance for the reader to become intimate with the poet.